MV5BYjcyYTk0N2YtMzc4ZC00Y2E0LWFkNDgtNjE1MzZmMGE1YjY1XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_UX182_CR00182268_AL_1 Ant-Man and the Wasp

Director(s)

Release Date

July 2018

Synopsis

As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

VFX Studio(s)

Cinesite DNEG Luma Pictures Rodeo FX Scanline VFX

Motion Graphics

Elastic

VFX Supervisor(s)

Alessandro Ongaro Stephane Ceretti Stephane Paris

Facebook Twitter

You can support the WikiFX project by doing a donation. It will help me to continue to develop new features and keep the site up to date. If you want to contribute in any other way, simply drop me a note using the contact page.

Ant-Man and the Wasp

VFX BREAKDOWN

DNEG

VFX BREAKDOWN

Luma Pictures

Luma delivered nearly 230 shots for Marvel’s Ant-Man and The Wasp.

Follow us on Twitter, Facebook & Instagram for more updates!
Website: lumapictures.com
Facebook: facebook.com/LumaPictures
Twitter: twitter.com/LumaPictures
Instagram: instagram.com/LumaPictures

VFX BREAKDOWN

Scanline VFX

How Marvel Built the VFX in Ant-Man and the Wasp | WIRED

Go behind the scenes of “Ant Man and the Wasp” with Danielle Costa, vice president of visual effects for Marvel Studios, as she explains all the amazing ways that CGI experts made characters bug-sized, enormous, and microscopic.

VFX BREAKDOWN

RodeoFX

The bulk of our 132 shots for Marvel’s Ant-Man and the Wasp feature all the sequences where Hank Pym’s lab shrinks and grows from the size of a suitcase to a full-sized building, as well as the surrounding disturbances that our team created with FX simulations.

We also worked on environment extensions for the film, such as adding CG sequoias to a Georgian forest, and our team had a lot of fun creating and animating a CG pigeon who refuses to leave on Pym’s suitcase-sized lab.

One of our favorite sequences, is the destruction scene at San Francisco’s Pier 41. As Pym’s lab suddenly grows back to its regular building size, it destroys everything around it from the ground to trees, benches and newsstands. This sequence was an exciting challenge for our artists who created all the destruction.

Inside the Movie Magic w/ Stephane Ceretti | Earth’s Mightiest Show

Main-on-End Title Sequence

Elastic

Client: Marvel Studios

Post Production
Design Studio: Elastic
Creative Director: Andy Hall
Art Director: Jeff Han
Color TD: Andrew Young
Storyboard Artist: Lance Slaton
CG Leads: Max Ulichney, Yongsub Song
CG Artists: Michael Cardenas, Josh Dyer, Mike Kash, Thomas McMahan, Dustin Mellum, Chris Nolan, Joe Paniagua, Carlo Sa, Christian Sanchez, Byron Slaybaugh, Marcos Vaz, Ariana Ziae-Mohseni
Previs Artists: Paulo de Almada, Chris Leone, Dirk Valk
Head of CG: Kirk Shintani
Production Coordinator: Megan Rodriguez
Senior Producer: Paul Makowski
Senior Executive Producer: Luke Colson
Head of Production: Kate Berry
Managing Supervisor: Jennifer Sofio Hall

Effects Type(s)