The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.
Project | Movies
We are so honored to have received the Visual Effects Society awards for Outstanding Visual Effects in a Photoreal Feature and Outstanding Animated Character in a Photoreal Feature!
Outstanding Visual Effects in a Photoreal Feature Daniel DeLeeuw, Jen Underdahl, Kelly Port, Matt Aitken, Daniel Sudick
Outstanding Animated Character in a Photoreal Feature Jan Philip Cramer, Darren Hendler, Paul Story, Sidney Kombo-Kintombo
Marvel Studios and everyone who worked on this amazing film!
A look behind the magic of Avengers: Infinity War featuring the visual effects work by artists at Industrial Light & Magic that brought this epic battle to life.
ILM VISUAL EFFECTS SUPERVISOR Russell Earl
ILM ANIMATION SUPERVISOR Kevin Martel
ILM VISUAL EFFECTS PRODUCER Katherine Farrar
ILM VISUAL EFFECTS EXECUTIVE PRODUCER Jeanie King
ASSOCIATE VISUAL EFFECTS SUPERVISOR Robert Weaver
VISUAL EFFECTS SUPERVISORS Jeff Capogreco Dan Snape
VISUAL EFFECTS PRODUCERS Danielle Legovich Cabral Rock
ANIMATION SUPERVISORS Shawn Kelly Eric Leong Gang Trinh
CG SUPERVISORS Justin Martin Steve Sauers Doug Sutton
COMPOSITING SUPERVISORS Paolo Acri Scott Pritchard
Avengers: Infinity War is the culmination of over a decades’ work by Marvel Studios, and the fourth Marvel film Weta Digital has been part of. Weta was responsible for the entire third act set on Planet Titan—the battleground for Thanos’s final showdown.
To celebrate its home entertainment release this week we are super-excited to bring you our #VFX #breakdown reel for #AvengersInfinityWar – the latest in our #20YearsOfDNEG series! Go behind the VFX of the biggest movie of 2018!
When RISE VFX Supervisor Oliver Schulz and his team start designing cinematic mayhem – there is no holding back. For Avengers: Infinity War, Oliver and his team turned Atlanta into Wakanda – and also into Central Park, NYC. They made jets fly, gave Bucky back his redesigned Winter Soldier arm and helped Doctor Strange travel though one of his portals.
The centerpiece – or the last piece in this case – of their work is a 1800 frames post credit scene that was completed in just 8 weeks from shoot to delivery, from actor scanning to actor disintegration, from FX design to completed assignment.
Marvel Studios’ AVENGERS: INFINITY WAR – out now streaming and on DVD and Blu-ray.
More info on our work on Art of VFX artofvfx.com/avengers-infinity-war-oliver-schulz-vfx-supervisor-rise/
All content of this reel is protected by copyright laws and is owned by RISE FX GmbH or licensed from it′s client Marvel Studios – duplication or redistribution of any kind is strictly prohibited. © Copyright 2018 RISE FX GmbH – all rights reserved.
Led by VFX supervisor Andrew Morley, Cinesite’s London studio was responsible for delivering some of the film’s most thematically important and technically difficult CG shots and characters, including Ebony Maw’s torture of Doctor Strange, the Iron Spider suit and the Avengers’ first encounter with the Guardians.
For more information visit cinesite.com
Framestore completed over 250 shots for the opening act of Marvel Studios’ Avengers: Infinity War. From the moment Bruce Banner crashes into Doctor Strange’s Sanctum Sanctorum to the epic ‘Race to Space’ sequence, our varied and action-packed work saw us build the New York environment in CG, craft the Q-ship, and create CG friends old and new: Iron Man, Spider-Man, Ebony Maw and Cull Obsidian. Find out more about our work: https://www.framestore.com/avengersin…
Avengers: Infinity War has been Oscar nominated in the category of Best Visual Effects. CG supervisor Robert Allman of Framestore spoke to Al Moloney about some of the challenges the team faced in helping to make the film.
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